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Papers
on Virginia Woolf
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Edward
Albee’s “Who’s Afraid of Virginia Woolf,” A Tragedy
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This 4 page report discusses “Who’s Afraid of Virginia
Woolf” by Edward Albee in the context of tragedy. The play
is not generally classified as a “tragedy” as much as it
is thought of as by the euphemistic term “modern drama.”
Yet, “Who’s Afraid of Virginia Woolf?” quite likely
serves as much as a tragedy as any of the so-called
“classic” tragedies from ancient Greece or even
Shakespeare. No secondary sources.
Filename: BWvwtrag.rtf
Women's
Rights in the Works of Virginia Woolf
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A 10 page paper examining the presence of a woman's rights
agenda in Virginia Woolf's fiction and essays. The paper
concludes that while there is abundant evidence of feminism
in Woolf's work, she definitely did not hate men, and sought
to portray them as justly as their female counterparts.
Bibliography lists 12 sources.
Filename: Wolfwork.wps
Feminism
In The Works Of Virginia Woolf
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An 8 page paper analyzing Virginia Woolf's feminist leanings
in her novels and essays. Woolf assumed that a person's
gender had little impact on the way they thought, and that
the world, in fact, was grievously at fault for assuming
that it did. Bibliography lists twelve sources.
Filename: Femvwolf.wps
Virginia
Woolf’s “A Room of One’s Own” -- Only Available to
Those Who Can Afford It
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This 6 page report discusses “A Room of One’s Own”
written by Virginia Woolf in 1929. The report presents the
view that even though Woolf points out the marginality of
women in most of her works, her position as a well-educated
and upper-class member of society, is seen in her
perspectives regarding the proper place of working-class
women. No secondary sources.
Filename: BWroom.wps
Changing
Times in Woolf’s “Mrs. Dalloway”
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A five page paper analyzing Virginia Woolf’s novel in
terms of the way it illustrates the social changes England
experienced in the years immediately following the First
World War. The paper argues that Virginia Woolf shows in
Mrs. Dalloway a safe, protected world that is passing away,
together with the horror of those who perceive there is no
safety net there at all. Bibliography lists four sources.
Filename: KBdallo2.wps
Freudian
Implications In Woolf's To The Lighthouse and A Room Of
One's Own
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Virginia Woolf is known as one of the most influential
modern writers of the early twentieth century. Her works
include: Mrs. Dalloway, To The Lighthouse, Orlando and A
Room Of One's Own. She has been regarded as a feminist and
as an innovator in the art of writing. Both of these
appellations are imminently applicable to A Room Of One's
Own and at odds with To The Lighthouse. A Room of One's Own
was the first book to use stream of consciousness as a form
of writing and, primarily for this reason, it has been
labeled as a 'psychoanalytic' novel. This 15 page paper
proposes that the writings of Virginia Woolf, specifically
the stories: A Room of One's Own and To The Lighthouse, are
prime examples of the feasibility and worth of Freudian
theory. Bibliography lists 6 sources.
Filename: KTfrdwlf.wps
Who's
Afraid Of Virginia Woolf?
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The major theme of Edward Albee's most prominent play, Who's
Afraid Of Virginia Woolf, seems to be that cruelty and
violence are not only inherent in the nature of Man but that
they also play a significant role in some relationships.
This 5 page paper explores the characters of George and
Martha as well as their relationship as portrayed by Albee.
No additional sources are listed.
Filename: KTawaovw.wps
Man
And Woman In 'To the Lighthouse' By Virginia Woolf And 'Wife
of Bath's Tale' By Geoffrey Chaucer
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A 5 page paper which compares the relations between man and
woman depicted in Virginia Woolf's To the Lighthouse and
Geoffrey Chaucer's 'Wife of Bath's Tale' from The Canterbury
Tales. Bibliography lists 2 sources.
Filename: Litebath.wps
The
Two Central Couples in Albee’s Who’s Afraid of Virginia
Woolf
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This 5 page paper provides a view of the two central couples
in Edward Albee's Who's Afraid of Virginia Woolf. This paper
compares and contrasts central elements of the two couples
and the characterizations of George, Martha, Nick and Honey.
No additional sources cited.
Filename: MHAlbee4.wps
The
Importance Of Illusion And Truth In Albee's 'Who's Afraid of
Virginia Woolf'
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This 5 page paper consider the impact of Albee's use of
illusion and symbolism regarding truth in his work Who's
Afraid of Virginia Woolf. This paper not only considers
these elements, but focuses on the struggles of George and
Martha and their fictitious child. Bibliography lists 6
sources.
Filename: Albeei.wps
Comparison/
Virginia Woolf & Phyllis Bentley
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A 5 page analysis of Virginia Woolf's short story 'The
Legacy' and Phyllis Bentley's 'Love and Money.' The writer
examines similarities and differences in the two stories
between their themes and plots, arguing that the differences
lie, for the most part, in the way that each author used
characterization. No additional sources cited.
Filename: 00wobe.wps
Gender:
James Joyce and Virginia Woolf
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A 5 page paper which discusses the various uses of gender in
"The Dead" by James Joyce and "A Room of
One's Own" by Virginia Woolf. Problems of human
relationships are discussed in the context of the stories as
well. Bibliography lists 4 sources.
Filename: RAjoywool.wps
Virginia
Woolf's 'To The Lighthouse' / Co-Dependency
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A 7 page paper discussing the relationship between the
central couple in Virginia Woolf's novel. The paper notes
that Mrs. Ramsay relieved her husband of the job of
appearing generous, sensitive, and compassionate; Mr. Ramsay
relieved his wife of the need to appear assertive and
self-directed. After her death, however, he learns to
combine both roles. Bibliography lists ten sources.
Filename: Lighthou.wps
Virginia
Woolf's 'The Waves' / Importance Of Bernard
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Through the use of the six speakers, symbolism, and a number
of other literary techniques, Woolf shows us the growth
& development of this character in her story. This 2
page essay argues relevant points-- demonstrating how
Bernard was actually Woolf's central character around whom
her entire theme revolved. No other sources cited.
Filename: Wavesthe.wps
Classism
in Woolf and Stoppard
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A seven page paper discussing social class and its impact on
the lives of characters in Virginia Woolf's 'A Room of One's
Own,' 'Orlando,' and 'To the Lighthouse,' and Tom Stoppard's
'Arcadia.' The paper observes that many of Woolf's feminist
arguments and all of Stoppard's intellectual ones would have
had no meaning to working-class people of the nineteenth
century. No additional sources.
Filename: KBclass.wps
Gender
in Woolf’s “Orlando”:
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A seven page paper looking at the issue of gender and its
impact on behavior and personality as developed in Virginia
Woolf’s 1928 novel. The paper explores Woolf’s argument
that gender quite literally does not matter, and the fact
that society makes so much of it is what is wrong with
society. No additional sources.
Filename: KBwoolf.wps
Modernism
in Eliot and Woolf
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A five page paper showing how T.S. Eliot and Virginia Woolf
consciously defined modernism in their critical essays and
employed it in their works. Specific works discussed are
Woolf’s “The Metaphysical Poet and Modern Fiction” and
“The Mark on the Wall,” as well as Eliot’s
“Tradition and the Individual Talent” and “The Waste
Land.” No additional sources.
Filename: KBeliot.wps
James
Joyce's "The Dead" And Virginia Woolf's "The
Legacy": Relationships
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5 pages in length. Love is often not enough to sustain a
relationship between two people, which has been effectively
demonstrated in both The Dead and The Legacy. Joyce's
Gabriel and Gretta Conroy and Woolf's Gilbert and Angela
Clandon represent the epitome of disguise by existing within
a relationship under the illusion of love. The writer
discusses how the Conroy's and the Clandon's address the
issue of marriage in very different ways. No additional
sources cited.
Filename: TLCwoolf.wps
Gender
and Modernist Implications of Selected Portions of Virginia
Woolf’s “The Waves”
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A 6 page analysis of Virginia Woolf’s thematic
presentation of women and their role society. Rather than
resorting to the stereotypical images of women which so much
predominated literature at this point in history, Woolf
exposes us to a view of women which suggests independence
and fortitude. Through this work we are presented with a
significant reconsideration of culture and gender and
pertinent observation on the way people act within a
specific cultural context to deliberately alter those very
contexts. Suggest that in many ways this book appears to be
written in direct opposition to the concepts of Straussian
theory, a theory of binary opposition between nature and
culture which revolves around the economic value of the wife
in a patriarchal society with the contention the woman was
not a subject but an object to be bartered in the interest
of promoting the all-important male status. Bibliography
lists 3 sources.
Filename: PPWoolf.wps
Septimus
and Clarissa in Woolf’s “Mrs. Dalloway”
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A 5 page paper looking at this novel by Virginia Woolf in
terms of the way the central characters depict the changing
social mood between 1914 and 1925. The paper argues that the
war destroyed the enormous sense of complacency which was
the nineteenth century’s legacy to the twentieth, and this
is illustrated by these two death-obsessed characters.
Bibliography lists two sources.
Filename: KBdallo.wps
“Representations
of General Nature” in Faulkner’s “Barn Burning” vs.
Woolf’s “A Haunted House”
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A five page paper looking at these two stories, by William
Faulkner and Virginia Woolf respectively, in terms of how
well they conform to Samuel Johnson’s observation that
good stories should present “representations of general
nature” -- in other words, reflect common experience. No
other sources.
Filename: KBnature.wps
Modernism
in Eliot and Woolf
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A nine page paper looking at Virginia Woolf's novel
"Mrs. Dalloway" and T.S. Eliot's "The Waste
Land" in terms of the way they serve as examples of
modernism. The paper asserts that their dense allusive and
associative structure was necessary to render adequately a
modern consciousness of the world. Bibliography lists four
sources.
Filename: KBwaste.wps
Feminism
and Change in Chopin and Woolf
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An eight page paper comparing two short stories from the
turn of the twentieth century: 'A Respectable Woman' by Kate
Chopin and Virginia Woolf's 'A Society.' The paper shows how
in their treatment of feminism, each refutes the restrictive
character of Victorianism and welcomes the Modern age.
Bibliography lists six sources.
Filename: KBwoolf2.wps
Virginia
Woolf: To the Lighthouse
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A 5 page paper which discusses the concept of modernity. The
paper also addresses issues of realism within the novel. No
additional sources cited.
Filename: RAlighthse.wps
Virginia
Woolf's 'Mrs. Dalloway' / Death & Duality
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A 16 page paper examining the representation of death as
illustrated by the characters of Clarissa Dalloway and
Septimus Smith. The paper postulates that the eminently sane
socialite Clarissa and the mad veteran Septimus are actually
flip sides of the same coin, two fragile reminders of our
own mortality. Bibliography lists 8 sources.
Filename: Dalloway.wps
Edward
Albee's 'Who's Afraid of Virginia Woolf ?' / The ‘Other'
Couple
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A 6 page paper discussing Honey and Nick, the young couple
who witness the rages of George and Martha in Edward Albee's
classic play. The paper contends that their experience at
George and Martha's house changes Nick and Honey as well,
causing them to become more aware of themselves and
compassionate toward each other. Bibliography lists 3
sources.
Filename: Other.wps
Edward
Albee's 'Who's Afraid of Virginia Woolf ?' / Nick, Carthage
& The Punic Wars
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A 5 page paper that analyzes the use of allusion in Albee's
play, especially as it relates to the character of Nick, and
the connection to ancient literature and history.
Bibliography lists 6 sources.
Filename: Albee.doc
The
Mark on the Wall - Virginia Woolf
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5 pages in length. This short story by Woolf seems to be
non-related ramblings on all different manner of topics; it
is, however, all tied together into thoughts of war, and
society in general. This excellent paper analyzes what is
actually going on in the mind of the narrator. Bibliography
lists 1 source.
Filename: JGAmrkwl.wps
Under
the Queen's Umbrella: Woolf and West
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(9 pp.) An odd assemblage of characters living under the
English Queen Mother's umbrella presents itself for our
discussion: Virginia Woolf and Rebecca West. It is almost a
toss up if the authors are more real or if their characters
are. Critical discussion also includes Gilbert and Gubar
(1990), Mark Girouard, and Margaret Higonnet Bibliography
lists 8 sources.
Filename: BBWlfWst
Aristotelian
Considerations In Cinema
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A 5 page paper that compares the play formulae laid out by
Aristotle with the film versions of 'Much Ado About
Nothing,' 'Sweeney Todd' and 'Who's Afraid of Virginia Woolf'
? Bibliography lists 7 sources.
Filename: Arismovi.wps
Comparison
of "Mrs. Dalloway" & "Housekeeping"
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A 2 page comparison between Virginia Woolf's Mrs. Dalloway
and Marilynne Robinson's Housekeeping. The writer
concentrates on the similarities between the authors' use of
point of view. No additional sources cited.
Filename: 00da&h.wps
Childhood
Revisited; To the Lighthouse
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This 5 page paper looks at the book 'To The Lighthouse' by
Virginia Woolf and the way in which this can be seen as the
retelling and rewriting of her own childhood in both the
physical circumstances as well as events and
characterisations. The bibliography cites 1 source.
Filename: TEwolflh.wps
Stream
Of Consciousness In Mrs. Dalloway
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This 6 page paper explores the meaning of stream of
consciousness writing and then examines three pages from
Virginia Woolf's Mrs. Dalloway to learn how stream of
consciousness works to develop character, setting and plot.
No additional sources are listed.
Filename: KTstream.wps
Katherine
Mansfield: Her Life And Work
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A 12 page paper. Katherine Mansfield lived for only 34 years
but made a lasting impression on the world. She was an
unconventional woman who wrote in an unconventional way. She
was a contemporary and friend of D.H. Lawrence and Virginia
Woolf. This essay provides some insight into her life and
discusses some of her works and the symbolism therein.
Bibliography lists 9 sources.
Filename: PGmansf.wps
Characters
of Mrs. Ramsay and Lily Briscoe in Virginia Woolf’s “To
the Lighthouse”
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A 5 page paper which compares these two feminine
protagonists. No additional sources are used.
Filename: TGbriram.wps
Modern
Literature
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This 5 page paper provides a tutorial for an essay based on
the thesis: The form of free verse as seen in the poem, The
Wasteland, by T. S. Eliot and the stream of consciousness
style employed by Virginia Woolf in Mrs. Dalloway are
examples of the creative form as well as inclusive of
emotional content as defined as high modernism. Bibliography
lists 5 sources.
Filename: KTmodlit.wps
A
Comparison of the Modernist Themes of Virginia Woolf’s
“Mrs Dalloway” and Thomas Mann’s “Death in Venice”
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An 8 page overview of the complexity of emotions and inner
feelings which characterize each of these novels. Asserts
that the authors have been shaped by a variety of factors,
not the least of which was the Modernist movement which was
prevalent during their careers. The relevance of the
writings of Freud, Nietzsche and Strauss are also commented
upon. These authors even serve as introductions to the
concept of homosexuality, a concept which was
characteristically shuffled into the background by most
other authors of the time. Bibliography lists 6 sources.
Filename: PPlitWlf.wps
Themes
of Male Cruelty in Literature
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This 9 page paper examines Wide Sargasso Sea by Jean Rhys
and To the Lighthouse by Virginia Woolf and explores the
gender relationships in each. Male cruelty, mental illness
and isolation are discussed. Bibliography lists 4 sources.
Filename: SA121lit.doc
Modernism
in Virginia Woolf’s “Mrs. Dalloway,” Franz Kafka’s
“The Metamorphosis,” Andre Gide’s “The
Counterfeiters,” Thomas Mann’s “The Joker” and
“Death in Venice”
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A 5 page paper which examines the texts as a way of
illustrating and defining literary modernism. Bibliography
lists 12 sources.
Filename: TGmodlit.rtf
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